The largest nation-wide day of giving is here. Everyone at Landmark appreciates your consideration on this day of giving as we plan out our next slate of shows – every little bit helps us to dream big!
Six long Beach arts organizations combine to present a musical commemoration of the 25th Anniversary of the Matthew Shepard story.
Landmark is extremely proud to collaborate with six other exceptional arts organizations from Long Beach to bring our very own Curtis Heard’s score to life in a one-night only event.
Imagine the Matthew Shepard story told through more than just human eyes with the poetic imagination of Lesléa Newman‘s book October Mourning: A Song for Matthew Shepard, brought to life by a stunning score from local Long Beach composer Curtis Heard. Join the South Coast Chorale, in collaboration with the First Congregational Church Sanctuary Choir, Landmark Theatre Company, Musique Sur La Mer Orchestra, Long Beach Youth Chorus, and members of the Wilson High School Choir as we share the unheard voices of the fence, the deer, the stars, and more in this musical narrative that, 25 years later, still resonates far beyond the LGBTQ+ community.
A new review from Stage and Cinema highlights the vocal talent of the ensemble of Assassins and applauds Landmark for the “braveness” in realizing the challenges that the show puts forth.
First, gratitude to the show’s director and choreographer Megan O’Toole for taking on the challenge. Kudos to Curtis Heard and his brilliant music direction and orchestra. And a bigger hand to the cast. The Long Beach community certainly has a talented pool of singers, and this vocally superb cast sings the hell out of the score.– Stage and Cinema
I was especially impressed with Lisa Bode Heard (Housewife, Ensemble) who shines like a beacon in “Something Just Broke,” epitomizing a vocal quality perfectly suited to many Sondheim scores.– Stage and Cinema
When Charlie Carlos excitedly sang “How I Saved Roosevelt,” capturing with his very well-trained voice the angst and frustration … of the stomach-ailed Zangara
“Unworthy of Your Love,” the demented devotional duet to Jodie Foster and Charles Manson had Mark Waters as John Hinckley and Maddie Levy as “Squeaky” Fromme sounding terrific together — the result was lovely with Levy’s exceptionally strong pop sound (her “Squeaky” characterization was sharp and contemporary instead of spacy and ’70s)
Owen Lovejoy as Leon Czolgosz evoked the sad desperation of the factory laboring immigrant with terrific vocals in “The Gun Song.”– Stage and Cinema
I applaud Landmark for its braveness in realizing Assassins because it is a challenge both artistically and politically.– Stage and Cinema
Read the full review online at Stage and Cinema
The Long Beach Post Hi-Lo has recommended Landmark’s production of Assassins as one of its top things to do this weekend in Long Beach.
Landmark Theatre Company brings the Tony-award-winning musical to life with a stellar cast, dynamic set design and a full theater orchestra– Long Beach Post
Musicals by Stephen Sondheim generally need no introduction, but “Assassins” is a somewhat obscure production overshadowed by other very prominent musicals of his (“Sweeney Todd,” for example), so here’s the gist: Set in an all-American psychedelic-looking carnival house, audiences explore the lives of nine men and women who either killed (or tried to kill) one of the presidents of the United States. It’s a dark comedy that aims to undress a sinister side of the American dream and has, to much success, captivated audiences since its first Broadway production in 2004.– Long Beach Post
You can read the full “Things to Do This Weekend” feature online here
Another excellent review of Assassins. This time from Greggory Moore at Random Lengths News.
Here are a number of excerpts from the review.
From the first notes of Assassins, it was clear that the small orchestra (coming to us from the basement, we were told pre-show) was on-point from horns to tambourine, and the cast could sing…– Greggory Moore, Random Lengths News
You need a good cast to pull that off. No problem here. Jay Dysart is strong throughout and a tour de force in the play’s pivotal scene. Phineas Wilder make us unsure whether we should laugh or cry at his manic Charles Guiteau. And Maddie Levy and Emily Morgan as “Squeaky” Fromme and Sara Jane Moore —who unsuccessfully attempted to kill President Gerald Ford barely two weeks apart — have a lovely comedic chemistry.
Levy excels on the vocal front, too, especially on “Unworthy of Your Love”, a clever duet between Fromme and Hinckley (Mark Waters, doing yeoman’s work in one of the less flashy roles). As Leon Czogosz, Owen Lovejoy features prominently in the show’s best consecutive pair of songs. And as the unnamed Balladeer, Bobby Brannon is an obvious standout. Although The Balladeer is not a well-written character — central to the narrative for a while despite having no contextual tie-in, then simply disappearing from the play’s universe — Brannon lights up the stage with their smooth presence and easy vocal command.– Greggory Moore, Random Lengths News
Director/choreographer Megan O’Toole has made a stage that ought to be way too small for a show of this scope serve, even if just barely, blocking the proceedings to near perfection.– Greggory Moore, Random Lengths News
Now that I’ve discovered Long Beach Landmark Theatre Company, I hope they’ll continue to take on serious work like Assassins, as opposed to tacking toward liter, populist fare. They’re up to the challenge, and we’re all better off when our entertainment is this thoughtful and thought-provoking.– Greggory Moore, Random Lengths News
An excellent review of Assassins from Chris Daniels at The Show Report.
Here are some excerpts from the review:
In the presentation of “Assassins” that opened this past Friday night at the Long Beach Landmark Theatre, it is the comedy that works best. Director Megan O’Toole has toned down the violent factor substantially with the replacement of the usual “guns” used in the show with items like mallets and juggling balls for bullets. The beginning scenes are portrayed instead with killers toting rubber mallets, centered around a neon-lit, high striker, ring-the-bell hammer game.
Some of the segments of the show are hilarious indeed. Emily Morgan, lighter than air, and a witchy Maddie Levy make a very animated sociopathic Lucy-and-Ethel pair as Sara Jane Moore and Lynette Fromme, would-be killers of Gerald R. Ford. When Moore’s make-shift “gun” fails to discharge, she thinks fast and throws the balls at him instead.
But there is no mistaking the show’s serious intentions and its confidence in pursuing them.
The ensemble cast is vocally exceptional, with especially thrilling contributions from Jay Dysart (“Texas School Book Depository”) as Booth, Owen Lovejoy (“The Ballad of Czolgosz”) as Czolgosz, Corey Shaw (“America”) as Samuel Byck, young Sammy Schwarz (“I Shot My Dog”) as the Boy, and Bobby Brannon (“The Ballad of Booth”) as the Balladeer.– Chris Daniels, The Show Report
And Director O’Toole has an off-center, love-obsessed Hinckley (Mark Waters) singing a beautiful folk-rock ballad called “Unworthy of Your Love” to a heedless Jodie Foster; and then when it becomes a duet with Ms. Fromme (known as Squeaky) charmingly singing to a Charles Manson, the squirmy, tragic pathos in the air becomes weighty.
Still, when Giuseppe Zangara (Charlie Carlos), in his inchoate crime against Franklin D. Roosevelt, calls himself an “American nothing,” or when the nine assassins sing together about “another national anthem” that applies to the likes of them, you may feel, as I did, the rumblings of our unsettled country in your bones. “Assassins” is the report of that unsettlement, as well as the bang.– Chris Daniels, The Show Report
Lucas Dysart excels as Lee Harvey Oswald, proving a lynchpin of modern history, the production’s most harrowing and effective final scene.– Chris Daniels, The Show Report
The One Who ‘Sums It All Up’
We’ve reached the end of our series about the assassins of Assassins and our production opens this weekend. All the profiles are online for you to read, and we’ve sprinkled in details relevant to the show throughout each one.
Lee Harvey Oswald
Assassinated President John F. Kennedy
Lee Harvey Oswald was a US Marine, a one-time defector to the Soviet Union, and the assassin of President John F. Kennedy.
As a child, Oswald’s troubled relationship with his mother and other family members led him to act out socially and in school. He was evaluated by psychiatrists throughout his childhood who found him to be withdrawn and secretive. As a teenager he became enamored with socialist literature before joining the US Marines. He was court-marshaled twice for insubordination and the misuse of firearms while in the military.
Communists, Intelligence Agencies, Assassins, Oh My!
After leaving the military to care for his ailing mother, Oswald made a shocking move. He travelled to the Soviet Union where he attempted to become a citizen and live in the rival superpower nation. Oswald did not enjoy Soviet life, and soon made a return to America after getting married to a Russian woman.
After his resettlement in the US, Oswald’s life became populated with strange characters and coincidences that have fueled decades of speculation. Did the FBI cultivate him as an asset and encourage his pro-Cuba leafleting activities to entrap communists? Did the CIA assign him a handler to keep tabs on an unstable, one-time defector?
Oswald’s eccentricities and political obsessions continued. During this time, he attempted to assassinate a retired Major General- his unsuccessful attempt only uncovered after he was investigated for Kennedy’s murder.
On November 22nd, Lee Harvey Oswald fired three shots from the 6th floor of the Texas School Book Depository, down onto Dallas’s Dealey Plaza, killing President Kennedy. He had secured a job in the building a month earlier and used the vantage point afforded by the higher floor to scope out his target. He evaded capture by authorities for a little over an hour before he was tracked down and arrested inside of a movie theatre. Encountering a group of reporters after his arrest, he yelled that he was a “patsy”.
The nation reacted to news of President Kennedy’s death with complete shock. This public and grisly assassination darkened a hopeful time in American life that the young, handsome President had symbolized. Two days after the assassination, Oswald was being walked to an armored van by police, intending to transfer him from city jail to county jail. Jack Ruby, a nightclub owner shot him in anger, killing Oswald and preventing him from ever testifying in court.
Legacy of a Tragedy
Despite the conclusions of the Warren Commission, and investigations by the FBI and Dallas Police, polls still show that most Americans still do not believe the official story of the Kennedy Assassination. Whether their alternate theories contain speculation about US Intelligence, multiple assassins, mobsters or magic bullets, the lack of clarity around Oswald’s motives still confounds.
If you want to get a closer look at Oswald’s desires and demons, and see what was possibly on his mind, come see Assassins at Landmark!
- A book written by a fellow Marine, featuring a character heavily based on Oswald. The book was written before the assassination. The Idle Warriors at Amazon
- Read this article from The History Channel: Jack Ruby Kills Lee Harvey Oswald
Meet our Oswald – Lucas Dysart
Landmark’s upcoming production of Assassins has been featured in the Beachcomber with special attention given to the “Season of Sondheim” happening in Southern California.
Landmark Theater will extend the focus on Sondheim throughout the LA area this spring by bringing this powerful Sondheim work to Long Beach, opening April 28. Inside the frame of an all-American, yet sinister, carnival, “Assassins” illuminates the stories of several historical figures who attempted (successfully or not) to assassinate American Presidents.The Beachcomber
Read the Full Article Online at the Beachcomber
“Here’s our pioneer”
We near the conclusion of our series about the assassins of Assassins as we are putting the finishing touches on our production that opens this Friday!
John Wilkes Booth
Assassinated President Abraham Lincoln
John Wilkes Booth was a secessionist, actor and the assassin of President Abraham Lincoln.
Hailing from the famous Booth theatrical family, John, along his brothers Edwin and Junius, followed in the footsteps of their father as popular theater actors through the 1850s and 60s.
John was a sensation on the stage, becoming known for his energetic, hilarious performances and good looks. He was a huge hit with the ladies, receiving fan mail almost constantly.
A Plot To Kidnap Lincoln
Booth held deep pro-slavery convictions even before the Civil War, evidenced by his attendance at the hanging of the abolitionist John Brown. But as the conflict between North and South began in earnest in 1860, Booth made fiery public statements and hardened private sentiments against the Union.
While his star rose in the acting world, he gathered a group of conspirators and hatched a plot to end the war by kidnapping Lincoln. As his family relationships fell apart over his extreme views, he corresponded secretly with Confederate Intelligence.
After news of Robert E. Lee’s surrender at Appomattox, Booth became enraged and dispensed with the kidnapping plan. He was now resolved to kill the President.
Sic Semper Tyrannis
Booth’s conspiracy was re-engineered. The goal was now to kill the top-ranking members of the Union government- President Lincoln, Vice President Andrew Johnson, and Secretary of State William Seward.
Booth made his move while Lincoln attended a performance at Ford’s Theater, where the actor was a familiar face and free to roam the premises. He snuck into the President’s box during a performance of the play Our American Cousin and shot him in the back of the head with a pistol, soon after jumping down onto the stage where he shouted “Sic Semper Tyrannis”, Latin for “thus always to tyrants”. He made his escape into the night, aided by a compatriot waiting in the stables with a horse.
A Shocked Nation
There is simply no modern equivalent to this gruesome and bloody event, especially given the odd clash of public figures. A young heartthrob actor taking aim at a President would have been just as wild back then as it would be now. Imagine Timothée Chalamet taking aim at the Head of State during a screening of Frozen. That’s how crazy it was.
Thousands upon thousands of mourners filled the streets as Booth attempted to escape into the marshes of the South. Booth’s co-conspirators had failed. Secretary Seward was injured but alive, and the man sent to kill Vice President Johnson had gotten cold feet.
Newspapers of all persuasions decried the senseless violence and cowardice of John Wilkes Booth, though some observed that the oh-so-shocked editorial sentiments of pro-South papers didn’t exactly ring true after so many years of propagandizing and fear-mongering about Lincoln and abolition.
Union authorities tracked Booth down at Garrett Farm in Virginia, where he had supposedly lied about his identity in order to stay with a local family. After surrounding him in a barn, he refused to surrender to Union forces, and they set the building ablaze. As the building began to burn, he moved around inside, allowing a Union Soldier to shoot him. He was removed from the burning building, mortally wounded. Dramatic to the end, Booth looked at his hands and muttered “Useless, useless” before he died.
For Further Research:
- Watch this YouTube video lecture from the Abraham Lincoln Presidential Library and Museum: The Life of John Wilkes Booth
- From the History Channel: Timeline of Lincoln’s Assassination
Meet our Booth – Jay Dysart
Jay portrays John Wilkes Booth in Landmark’s production of Assassins. Audiences will recognize Jay from some of his previous appearances at Landmark as Andrews in Titanic, Frollo in Hunchback, Professor Bhaer in Little Women, and Orin Scrivello DDS in Little Shop of Horrors.
Landmark’s production of Assassins has been featured in the Press Telegram and Grunion Gazette with a fantastic preview article. The excellent new Arts & Culture writer Willie Plaschke has added depth and context about this fascinating musical and highlighted many of the most important elements of why Landmark is producing this show in bold fashion at this particular time.
Next weekend, Long Beach Landmark Theatre Company brings this darkly comedic vision to Long Beach audiences in “Assassins,” the musical by Stephen Sondheim and John Weidman.
“Assassins” presents a world in which discontent simmers in the American psyche. Follow nine hauntingly complicated protagonists as they attempt to follow their dreams and make their mark by assassinating American presidents.– Willie Plaschke, Long Beach Press Telegram & Grunion Gazette
The cast and crew of Landmark’s production of “Assassins” hope to lean heavily into the symbolism of presidential assassinations and what’s beneath the story, as opposed to the physical trappings of guns and gun violence itself.
Ultimately, Landmark Theatre strives to connect.
“We want our audiences to feel that their experience with us from the time they arrive to the time they leave the show has been an experience of a very sacred space,” said O’Toole, Landmark’s artistic director. “This is theater made for, and by, the community that we serve. In our core values, service is fundamental to who we are.”
This remarkable production opens next weekend, April 28, and runs until May 14.– Willie Plaschke, Long Beach Press Telegram & Grunion Gazette
Read the whole article online here: Enjoy Sondheim’s darkly comedic vision at the Long Beach Landmark Theater Company