Review: “A Man of No Importance” bets on emotional payoff, wins with restraint

Another stellar review of A Man of No Importance- this time in Random Lengths News from Greggory Moore. Excerpts from the review are below and follow the links to read the full article online.  

“Long Beach Landmark Theatre Company’s A Man of No Importance is a satisfying show that gets a little extra juice from the fact that it’s playing in a house of worship … How joyful it is to live — and see theatre — in one little corner that’s seen the light.” writes theatre critic, Greggory Moore.
 
“The emotional payoff it seeks is well earned.”

“Nowhere is this truer than with Nemrow, whose restraint is perfectly in keeping with Alfie’s particularly straitened personality. It’s a choice that pays huge emotional dividends.”

“Music director Curtis Heard’s skeleton crew more than capably generate warm, woodsy colors (accordion, fiddle, cello, mandolin) perfectly in keeping with the soul of Flaherty’s songcraft.”

“Director Megan O’Toole has everyone playing it close to the vest, to excellent effect.”

Oscar Wilde, Alfie Byrne’s imagined confidant, is “embodied with sufficient trenchancy by Mark Wheeler.”
— Greggory Moore, Random Lengths News

Review: A Man of No Importance,’ ‘Reefer Madness’ have something to say about truth

A wonderful review of A Man of No Importance in the Press Telegram by Sean McMullen. Excerpts from the review are below and follow the links to read the full article online

“Landmark serves the material well with a solid cast whose strong ensemble performance gives us a community worth caring about.” writes theatre critic, Sean McMullen, Press Telegram.
 
“‘A Man of No Importance’ centers around Alfie Byrne, played tenderly and skillfully by Clayton Nemrow.”
 
“Directed by Megan O’Toole, with music direction by Curtis Heard, the production finds its heart in that shared humanity.” 

— Sean McMullen, Press Telegram & Grunion Gazette

Feature: A Man of No Importance in Long Beach Post

Check out Landmark’s “A Man of No Importance” this time in the Long Beach Post. Excerpts from the feature are below and follow the link to see the full article online.

“As its title suggests, “A Man of No Importance” — beginning a three-week run this weekend at the Long Beach Landmark Theatre — is not a flashy musical, but it portrays profound depths” writes theatre writer Anita W. Harris.

“In trying to persuade them otherwise, Alfie has imaginary conversations with the flamboyant Wilde and becomes emboldened to reveal more of himself, risking consequences both physical and emotional.”

“Curtis Heard, music director of the theater, is conducting a live orchestra for the show’s Irish-inflected score. And a cast of nearly 20 will bring the play to life — directed and choreographed by artistic director Megan O’Toole, who will also play the role of Mrs. Patrick.”

“With a church conflict at the center of “A Man of No Importance,” the setting is not only fitting, but makes it more metatheatrical — a play staged in a church about staging a play in a church.”

-Anita W. Harris, Long Beach Post