Review: Landmark Theatre delivers can’t-miss experience with Sondheim tribute

Another stellar review of Side by Side- this time in the Grunion Gazette and Press Telegram from Sean McMullen. Excerpts from the review are below and follow the links to read the full article online.

“The evening is, first and foremost, about the music. ,” writes Theater Critic Sean McMullen, “And vocally, this company delivers in exactly the way audiences familiar with Landmark have likely come to expect.”

“The harmonies are lush, the phrasing thoughtful, and the sheer commitment to musicality throughout the 26 member ensemble is genuinely impressive. There were moments during the evening where I found myself hearing chords and internal vocal textures I had honestly never noticed before, perhaps because these songs are so often encountered within the context of fully staged musicals, sung by actors who sing rather than singers who act. That distinction matters here. Oh, and the genius of Music Director Curtis Heard.”

“The point is not perfection. The point is community. And there is something undeniably moving about watching a large, diverse company tackle material this musically and emotionally sophisticated together.”

“Particularly stellar work came from George Carson, Lisa Bode Heard, Briana Bonilla, Jade Dodgen, Anna Shimanek, Malakai Howard, Mark Wheeler, Cole Whiter, Matt and Eliot Winkler, and Brooke Wittenmeier, all of whom found ways to balance Sondheim’s wit with genuine emotional grounding.”

“Special mention must also go to director Meagan O’Toole, whose staging and movement work throughout the production is quietly excellent…she creates naturalistic physical vocabulary that allows performers to move with grace while still feeling human. The result is a stage picture that continually shifts and breathes with the music without ever becoming over-choreographed.”

“Will audiences have a good time spending an evening side by side with this company and this music? The answer is yes.”

— Sean McMullen, Press Telegram & Grunion Gazette

 

 

Review: “Side by Side by Sondheim” successfully communicates his genius

A glowing review of Side by Side- in the Random Lengths News from Greggory Moore. Excerpts from the review are below and follow the links to read the full article online.

“While the original Side by Side by Sondheim was written for a cast of four (three singers plus an emcee of sorts), right off the top we see that Landmark has gone its own way, populating the stage with 26 performers ranging in age from 8 or 9 to it’s-impolite-to-guess. They’ve personalized the narrative and musical director Curtis Heard — whose piano carries the entire instrumental weight (unless you count a cute cameo by Jadzia Kopp’s trumpet in Gypsy’s “You Gotta Get a Gimmick”) — has adapted the songs to everything from solos to full ensemble numbers.”

“We also get also some fine character work. The most obvious example is Brooke Wittenmeier’s performance of “Losing My Mind”, the emotionality which is so powerful that you feel like you know the backstory. George Carson and Lauren Chambers make a wonderful pair for “Barcelona” (from Company). And Emily Morgan is droll as all get-out doing “I Never Do Anything Twice” (from the film The Seven-Per-Cent Solution).”

“It’s clear that Heard, O’Toole, and the cast have put a helluva lotta effort into delivering these wonderfully wordy songs just so, many of which depend on especially precise rhythms, phrasing, and even pauses for their musical and verbal wit to fully come across.”

“While on average the singing is solid, it never flies higher than the harmonies in a pair of duets: Malakai Howard & Cole Whiter in “We’re Gonna Be All Right” (from Do I Hear a Waltz?), and Briana Bonilla & Sia Carter in “A Boy Like That / I Have a Love” (from West Side Story). Bonilla also stands out on Company’s ridiculously tongue-twisting “Getting Married Today”.”

On that score, this Side by Side by Sondheim is a complete success.

— Greggory Moore, Random Lengths News

In The News: Side by Side feature in the Press Telegram

Columnist Willie Plaschke has penned a nice feature article about Side by Side in The Press Telegram and Grunion Gazette.

The Long Beach Landmark Theatre Company is honoring his legacy with “Side by Side by Sondheim,” an ensemble-driven revue that brings together some of his most beloved songs in a fresh, celebratory staging.

Originally created in 1976 as a London tribute to Sondheim’s expanding body of work, the revue has since become a staple for companies looking to showcase both his lyrical brilliance and his emotional range.

This production leans into that tradition while reimagining the material through a distinctly community-focused lens, featuring a large cast of 26 performers working in close harmony to highlight the wit, vulnerability, and complexity that define Sondheim.

In the News: Side by Side feature in the LB Post

A wonderful feature piece about Landmark’s upcoming main stage production of Side by Side by Sondheim has been published in the Long Beach Post. Below are a few excerpts, and please read the full article online.

The Long Beach Landmark Theatre is presenting a celebratory revue of the composer’s work in a show called “Side by Side by Sondheim” beginning Friday, May 8, at the First Congregational Church of Long Beach — a venue well suited to Sondheim’s intricate harmonics, which are sometimes interestingly dissonant.

– Anita W. Harris, Long Beach Post

More than two dozen performers will sing and perform about 30 of Sondheim’s songs, directed and choreographed by Megan O’Toole, with music directed by Curtis Heard. Both O’Toole and Heard helped shape the Landmark’s vocally powerful “Jagged Little Pill” last November. 

– Anita W. Harris, Long Beach Post

In The News: Side by side Featured in the Beachcomber

 

Landmark’s production of Side by Side is featured in The Beachcomber this week.

Under the direction of Megan O’Toole, with musical direction by Curtis Heard, this production features a talented ensemble cast and First Congregational Church of Long Beach’s beautiful Steinway piano.

Featuring songs from shows for which he wrote music, lyrics, or both—including Follies, West Side Story, Company, A Little Night Music, and Gypsy—this production is overflowing with Landmark heart and brings together a cast of 26 phenomenal performers in a dynamic, ensemble-driven take on the classic.

As Landmark looks toward the future and continues to define what it means to be a community theatre, we are committed to embracing talent, inclusivity, and the joyful creation of art. This production reflects that vision—artists coming together in celebration, collaboration, and a shared love of storytelling that we are proud to sustain for years to come.